Intercultural discourse in the Islamic literary text "maaellah " of the poet omar Baha adinAlamiri model

Abstract

The text of the "Emiri"poetry is linked to the cultural messages that sink into his poetic experience. It opens the question of the movement of the text through the act of acculturation and interaction between the letters, and the identity of the scriptural text in the dispersal of limbs and its unlimited extension throughout humanity, As well as the maximization of the spiritual affiliation of Islam through the interplay of various speeches: Holy discourse (Holy Quran and Hadith), Sufi discourse, Arab and European romantic thought ...

How did these letters interact and how they interacted in his poetic text, seeking a symbolic horizon? Has the text used various speeches to serve the human cultural purpose, especially the Qur'anic discourse?

This study reveals the interaction of letters in the literary text under the light of openness and reflection, vision and creativity, acceptance and rejection, identification and paradox, familiarity and alienation ... and other meanings that fall under the concept of culture.