المصحف الماليزي دراسة في الخط والزخرفة

Authors

  • مصطفى بهجت مجاهد

DOI:

https://doi.org/10.59791/ihy.v19i1.4272

Keywords:

Malaysian manuscript, calligraphy and decoration

Abstract

 Malaysian Qur'an’s calligraphy and decoration Research deals with one of the models of Quran’s writing in Malaysia in modern times, on an institution specialized in printing the Holy Quran, namely (Resto). The edition represents the high quality and outstanding proficiency in the calligraphy of the Quran, and with beauty in the framing and decoration of the Quran’s pages and its verses. The research is divided to an introduction, two chapters and conclusion. The introduction talks on the Holy Quran’s history of printing in Malaysia. First chapter is on the Quran’s calligraphy where it shows the standards that have been observed in holy Quran such as: good shape, status. Second chapter illustrates the distinct phenomenon of decoration diversity of the Quran’s footnotes and margins in Malaysia. These inscriptions and decorations is linked to States of Malaysia such as: Kelantan, Terengganu, and Maleka, etc. Conclusion includes the research summary and research findings.

Published

2024-07-04

How to Cite

مجاهد م. ب. (2024). المصحف الماليزي دراسة في الخط والزخرفة. El Ihyaa, 19(1), 211–236. https://doi.org/10.59791/ihy.v19i1.4272

Issue

Section

المقالات