The legal context of cinema production and coproduction in the Algerian legislation

Abstract

It is necessary to discuss the legal mechanisms that came to regulate cinematic activity in light of Algerian legislation and legal texts, especially the second phase of the history of cinematic legislation and regulation in Algeria, which must be studied, meaning that it constitutes a stage of reorganization and control after forty years have passed in the sector compared to the previous phase. This is due to the emergence of the Cinema Law of 2011, and the number of legislative and regulatory texts and their impact on film production and coproductions. However, the new law did not contribute to the success of the sector, but tried to contain the practice of the film business by controlling the production process.