The museums scenography, its requirements its application in the Bardo and the Antiquities museums in Algeria
DOI:
https://doi.org/10.59791/ihy.v21i2.624Keywords:
Museum, scenography, technology, Bardo Museum, Antiquity MuseumAbstract
This research Aimed at enrich museum studies that contribute to the development and modernization of our museums, and to ensure a display of the latest technologies for museums, between reality and prospects from during the highlight of the Bardo museums and Antiquities in Algeria, which are found in old buildings dating back to the ottoman and colonial period,
after they were qualified as museums.
To address the idea of display with ancient and archaeological buildings, it is necessary to know if those ancients buildings can be considered an impediment to the development of techniques of display methods, which still apply traditional methods in their various offerings, or are they an obstacle in the application of modern scenography techniques in front of the argument of the originality and completeness of the building.
Here therefore, the problem of the absence of interaction between museum institutions and the field of scenography, which allows displaying artifacts in an educational and entertaining manner at the same time, should be linked, and accordingly, through the samples chosen for the study, we can give au future view of the prospects of the scenography presentation, including the cultural, educational, artistic dimensions and the scientific context and material that it requires employment.
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