The Arab receiving of poetic heritage in the light of sociological theory

Abstract

modern Arab criticism by a group of Arab critics who were influenced by Western approaches, those studies that appeared in the modern era and which established an Arab critical approach, and we will try to throw the light on the most important sociological applied studies. The study aims to present those critical approaches that established an Arab sociological approach, as well as to reveal the vision that Arab critics carried of this poetic discourse and how the social approach was applied to it. Too, the most important directions they followed were to find out the vision that poets included in their texts, and to what extent this critical approach is suitable to study that discourse. From this standpoint, this study came to answer the following question: How did modern Arab critics receive the old Arabic poetic script? What are the most important procedural tools that they tried to apply through social reading? The most important results were the revelation of the Arab sociological method and its mechanisms among Arab critics, and that this approach was not without impressionism among a group of critics such as Taha Hussein, Al-Noihi and others; and the critics' difference in receiving Arab spinning a sociology ranged between symbolic interpretation, realism and reflection.