The phenomenological approach to the aesthetic experience (Mikel DUFRENNE as a model)

Abstract

Husserl's phenomenology crossed the borders of Germany and landed in France, and found applications for it, through an aesthetic turn that began with Jean-Paul Sartre through his research on imagination, then developed with Maurice Merleau-Ponty's theory of sensory perception. But with the “Phenomenology of Aesthetic Experience” by Mikel Dufrenne, we find that the aesthetic turn of phenomenology reaches its climax. A complex vehicle in which the aesthetic subject becomes 'quasi-subject'. The analysis and critique of aesthetic experience was also an occasion and a starting point to delve into other ontological problems that go beyond the pure phenomenological proposition. This article attempts to introduce a highly fertile aesthetic philosophy, but it has always suffered from denial and ingratitude, for no other reason than because its owner refused to follow the rapid passing currents, and remained faithful to Man, this is in its homeland. As for what is said about its place in Arab academic studies, it is not A male can almost hear her.