The Aesthetics of Formation and Photography in the Nonya Fatah Tlemcen by Lisan Al-Din Bin Al-Khatib

Abstract

This research paper seeks to show the aesthetic dimensions and poetic functions of the artistic formations and images of Ibn al-Khatib. It lost its luster as a result of being subject to the stereotypical climax custom and the abundance of circulation. This study will depend on the stylistic approach based on description and analysis in order to reach several results, including: Most of the figurative linguistic formations of simile, metaphor and metonymy in the non-fiction of Fatah Tlemcen by Ibn al-Khatib, were based on the breach and transgression of the structures of the deep structure of the axis of systems and succession, and the adoption of imagination and linguistic displacement at the level of The surface structure of the axis of choice and replacement is a main nucleus on which the poetic structure of the poem rests, and the aesthetic function is a distinctive feature of most of the formations and artistic images of linguistic structures in it.