The manifestations of the image of the Algerian revolution in the sources of revolutionary popular literature (Al-Malhoun Folk Poetry and Free Poetry as a Model)

Abstract

The article deals with the image of the Algerian revolution through the sources
of the Algerian revolutionary folk literature and by focusing on the side of the salted
folk poetry that was said in various parts of the country, and its stations revolved
around key points such as the relationship of popular literature with the revolution and
the relationship of popular poetry with it as well and the overall areas in which popular
poetry was concerned Al-Malhoun and the history of the revolution, the article also
raises a major research problem, which is: What is the picture that was painted about
the revolution in popular literature and how it was able to contribute to the codification
of its history, and the article aims to draw the attention of academic researchers to the
historical balance of the revolution and found in those poems that it sang about
Through which it can be produced again as a scientific material after the process of
scrutiny and comparison and subjected to the oral method, and has relied on the
critical analytical method in the process of processing the content of the article due to
the nature of the subject.